Theater

Seven ideas that are worth your time, including a race for the rest of us.

Stevie Walker-Webb, the director of Center Stage’s newest production, “Life is a Dream,” talks about his recent Tony Award nomination for “Ain’t No Mo’.’

Chesapeake Shakespeare Company’s “Hamlet” is sleeker, shorter and more modern, but it's still the Bard’s broody tragedy.

“Wild” author Strayed, whose “Dear Sugar” advice column inspired the play, discusses her work lending her life to stage and screen.

Moses Ingram is part of a contingent of Black Maryland women dominating TV and film roles.

Baltimore Center Stage and ArtsCentric, a color-conscious community theater organization, teamed up to produce ”Crowns,” a musical about the power of Black church, camaraderie and those ever-important hats.

Lynne Streeter Childress remembers the day her eighth grade history teacher was talking about the Constitution and the class spontaneously broke out in song from a 1975 episode of “Schoolhouse Rock.”

The staff and board of Single Carrot Theatre have decided to close the curtain after more than 60 performances of known and original works.

The theater is still hoping to raise an additional $1.7 million for renovations.

Michael Lamason, executive director of Black Cherry Puppet Theater, talks about theater management and puppet slams in this illustrated interview.

Two Baltimore performers will take the stage at the Hippodrome this weekend for the theater’s run of “Jagged Little Pill,” a musical inspired by Alanis Morissette’s 1995 breakthrough album of the same name.

While most ballet companies opt for “The Nutcracker” around this time of year, the all-ages inclusive Charm City Ballet has made “A Christmas Carol” a winter tradition.